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L. Paris, Small Mercies: Colleen Moore’s Doll House and the National Tour, 1935-1939, in Acts of Possession: Essays on Collecting in America, L. Dilworth New Brunswick, NJ: Rutgers University Press, 2003, pp. 190-220.
L. Paris, Children's nature: Summer camps in New York State, 1919–1941. 2000.
L. Paris, “‘Please Let Me Come Home’: Homesickness and Family Ties at Early-Twentieth-Century Summer Camps, in The American Child: A Cultural Studies Reader, C. F. Levander and Singley, C. New Brunswick, NJ: Rutgers University Press, 2003, pp. 246-261.
L. Paris, The Adventures of Peanut and Bo: Summer Camps and Early-Twentieth-Century American Girlhood, Journal of Women's History, vol. 12, pp. 47-76, 2001.
L. Paris, Tradition and Transition at Adirondack Summer Camps, in A Paradise for Boys and Girls: Adirondack Summer Camps, L. Paris, Brumberg, J. Jacobs, and Bond, H. Syracuse and Blue Mountain Lake, New York: Syracuse University Press, 2006, pp. 1-12.
T. Paradela, Beauty that Matters: Imelda Marcos and the baklas from the Philippines, in Het Jaarboek voor Vrouwengeschiedenis 2012 - Special Issue on Gender and Performance, K. Röttger Amsterdam: Amsterdam University Press, 2012.
T. Paradela, Staging the Demise of the Boy Actress in Restoration Theatre: Queering the Notion of Performing History in Compleat Female Stage Beauty, in Points of Exit: (Un)conventional Representations of Age, Parenting, and Sexuality; Center for Gender and Sexuality (Panel on Queering Queer Text), Maastricht University, The Netherlands, 2009.
T. Paradela, Unsettling British Columbia: The Uncanny in Vancouver Opera’s First Nations Magic Flute, in Canadian Association for Theatre Research (CATR) Annual Conference (Panel on First Nations Theatre), Ottawa, Ont., 2009.
T. Paradela, Memory and Documentation in Gay Transvestite Beauty Pageants in the Philippines: Reflections on Transcultural Research, in Performance Studies international conference (Panel on Memory and Ghosting in Transcultural Performances in the Philippines), Utrecht, the Netherlands, 2011.
T. Paradela, Ferdinand and Imelda Marcos’ Society of Spectacle,” Panel on Curating History, in Qualicum History Conference, Parksville, British Columbia, 2013.