Found 5 results
Author Title Type [ Year(Asc)]
Filters: Author is Paradela, T  [Clear All Filters]
T. Paradela, Ferdinand and Imelda Marcos’ Society of Spectacle,” Panel on Curating History, in Qualicum History Conference, Parksville, British Columbia, 2013.
T. Paradela, Beauty that Matters: Imelda Marcos and the baklas from the Philippines, in Het Jaarboek voor Vrouwengeschiedenis 2012 - Special Issue on Gender and Performance, K. Röttger Amsterdam: Amsterdam University Press, 2012.
T. Paradela, Memory and Documentation in Gay Transvestite Beauty Pageants in the Philippines: Reflections on Transcultural Research, in Performance Studies international conference (Panel on Memory and Ghosting in Transcultural Performances in the Philippines), Utrecht, the Netherlands, 2011.
T. Paradela, Staging the Demise of the Boy Actress in Restoration Theatre: Queering the Notion of Performing History in Compleat Female Stage Beauty, in Points of Exit: (Un)conventional Representations of Age, Parenting, and Sexuality; Center for Gender and Sexuality (Panel on Queering Queer Text), Maastricht University, The Netherlands, 2009.
T. Paradela, Unsettling British Columbia: The Uncanny in Vancouver Opera’s First Nations Magic Flute, in Canadian Association for Theatre Research (CATR) Annual Conference (Panel on First Nations Theatre), Ottawa, Ont., 2009.